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![]() Biography The son of actor Richard Cusack and
younger brother of comic actress Joan Cusack, John Cusack started his
career at the age of eight, under the guidance of his theatrically active
mother. He made his stage bow with Evanston's Pivan Theatre Workshop and
quickly went on to do commercial work, becoming one of Chicago's busiest
commercial voice-over artists. Although Cusack began to emerge as an actor during the heyday of the Brat Pack, and appeared in a number of "teen" movies, he managed to avoid falling into the narrowly defined rut the phenomenon left in its wake. After making his film debut in 1983's Class, he had a brief but painfully memorable appearance as a member of Anthony Michael Hall's nerd posse in Sixteen Candles (1984). Bigger and better opportunities came Cusack's way the following year, when he achieved a measure of stardom with his portrayal of a sexually anxious college freshman in The Sure Thing (1985). The same year, he gained further recognition with his starring roles in Better Off Dead (which also granted him a degree of cult status) and The Journey of Natty Gann. Cusack spent the rest of the 1980s carving out a niche for himself as both a solid performer and something of a lust object for unconventional girls everywhere, a status aided immeasurably by his portrayal of lovable underachiever Lloyd Dobler in Cameron Crowe's 1989 ....Say Anything. He also began winning critical acclaim for his parts in more serious films, notably as a disgraced White Sox third baseman in John Sayles' Eight Men Out (1988) and as a con artist in Stephen Frears' The Grifters (1990). Cusack enjoyed steady work throughout the 1990s,
with particularly notable roles in Woody Allen's Bullets Over Broadway
(1994), which featured him as a struggling playwright; Midnight in the
Garden of Good and Evil (1997), in which he starred as a journalist investigating
a murder; Grosse Pointe Blank (1997), which cast him as the film's protagonist,
a neurotic hit man; and the impressively cast The Thin Red Line, in which
he played a World War II soldier. Just about all of Cusack's roles allowed
him to showcase his quirky versatility, and the films he did to close
out the century were no exception: in 1999 he first starred as an air-traffic
controller in the comedy Pushing Tin and then appeared as Nelson Rockefeller
in Cradle Will Rock, Tim Robbins' exploration of art and politics in 1930s
America; finally, in perhaps his most unique film to date, he starred
in Spike Jonze's Being John Malkovich as a puppeteer who discovers a way
to enter the mind of the famous actor. The wildly original film turned
out to be one of the year's biggest surprise hits, scoring among both
audiences and critics. Cusack had yet another triumph the following year
with High Fidelity, Stephen Frears' adaptation of Nick Hornby's novel
of the same name. The actor, who co-wrote the script for the film in addition
to starring in it, earned some of the best reviews of his career for his
heartfelt comic portrayal of Rob, the film's well-meaning but oftentimes
emotionally immature protagonist. Continuing the romantic comedy trend
in 2001 with both America's Sweethearts and Serendipity, Cusack would
next gear up for a re-teaming with Being John Malkovich director Spike
Jonze in Adaptation (2002). ~ Rebecca Flint, All Movie Guide Filmography Runaway Jury, The (2003) .... Nicholas
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